I live a Stephen Fry appreciation life.
GUYZ, HARRY POTTER HAS TWO SHIRTS.One for winter and one for summer, how practical of you Harry.
Except the top one is his weird hallucination world.
Maybe he subconsciously wishes he had two shirts.
And contacts.
I’m rebloging this until I die
muốn đập đầu vào tường mà chết luôn quá -_- hay tốt hơn là đập cái não thối của bọn này vào tường cho chết -_-
mhmmmm
mmmhmmmm
mmmmhhhmmmmmm
YOU CAN’T CATCH ME GAY THOUGHTS shit dead end
So, I checked out Urban Dictionary for the word Fannibals, and I’m not really sure what to do with this definition:
‘Fannibal’
Someone who eats a lot of pussy (British) or ass (American) It’s a combination of cannibal and fanny. Fanny is slang for pussy in the UK and bum in the US.
…I can’t decide whether this is the best fandom name ever, or the worst.
This is why I always silently giggle at the term Fannibal.
crying
DEAD
do most american world maps seriously have america in the centre?
WE DO HAHAHAHA
Are you fucking kidding me.
In Chinese maps, Asia is in the center. Which nation is centralized depends on the map’s origins.
In Canada, our maps are cut through the Pacific, so we don’t offend anyone.
sometimes i feel like canadian stereotypes go too far and then this happens
Neil Gaiman has released a book of his great commencement address, Make Good Art.
When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa…
John Cho (x)
The only Asians I remember seeing on mainstream TV when I was a kid were Sulu on Star Trek, nameless Asians loading trucks in the background or dying on MASH (which was all about funny lovable white US Americans waging war on Asians), and the “ancient Chinese secret” Calgon laundry detergent commercial.
(via zuky)
Was the same when I was a kid. That moment of seeing George Takei not being overly-stereotyped when I was a kid was a powerful one. I think the only place I had really seen other Asians on the screen was finding the rare (because I was a kid in mountains, far from the rest of the community) movie that had Asians in it. Unfortunately, a lot of those were the “white guy learns martial arts, beats up Asians because ‘Merika” type movies. Which, of course was not TV. They were still the “Asian other” just as in MASH backdrops. Anyway, what I’m trying to say is that Sulu always has a special place in my heart. Star Trek helped me get through some bad emotional spaces as a kid, and I think part of what made it welcoming was having POC, especially George Takei ( since I’m JA too, and the other Asian American actors who came later), represented on screen in positive and whole characters, with names instead of “Solider #1, Henchman #4, Ninja #18”.
(via reallifedocumentarian)
(Proper) representation matters.
(via angryasiangirlsunited)
This Explains Everything
I’m really proud of this one guys
omg
I am nothing without my key commands. Clicking buttons in the toolbar frightens and infuriates me.
Key commands are my life.
Shipping Those Two Characters Was Not My Intention: a tale of regret and acceptance
partybarackisinthehousetonight:
show a man tumblr and he will laugh for a second. teach a man to use tumblr and watch him spiral into insanity
Sounds about right.
It’s My Life - Cezar
because everyone needs this in their life
struggling to think of a better song to wake up to
Ask the next 10 people you meet—or interact with on Facebook or Tumblr—if they’ve heard of Benedict Cumberbatch, and you’re likely to get at least a few affirmative answers. The actor’s popularity has been building steadily since he started playing Sherlock Holmes in the BBC’s update of the series, and his brilliant turn as the villain in Star Trek: Into Darkness may be the role that finally makes him a household name. (Not an easily pronounceable one, admittedly, but a household name nonetheless.)
But ask people if they’ve heard of Cabin Pressure, and you’ll get more than a few blank looks. However, if you have a Cabin Pressure fan in your circle of friends, trust me, you will be assimilated…The show is sweet and funny and thoroughly addictive. And more than that, I think it helps explain what makes Cumberbatch such a rare and compelling actor.
It turns out the man who’s rapidly becoming known for playing cold, calculating geniuses has a completely different side. Once you hear him play Cabin Pressure’s Martin Crieff, the almost pathologically insecure captain of a decrepit charter plane, you’ll never look at him the same way again—and that’s a good thing. It shows just what a well-rounded, versatile actor Cumberbatch truly is, and it reminds the rest of us just what an important quality versatility is.
In fact, a lifelong obsession with classic movies has convinced me that versatility is one of the best tools an actor can have…But this kind of versatility, it seems to me, is becoming rarer among actors these days. The British, to their credit, still seem to encourage it, but Hollywood, not as much. I’m not sure we even understand anymore what genuine versatility looks like…Maybe having a strong sense of who you are makes you more comfortable in a wide variety of circumstances and genres. And that in turn gives you even greater confidence and security as an actor.
Does the same hold true for Benedict Cumberbatch? It’s a little early in his career to say for sure. And it’s true that the hilariously awkward Captain Martin Crieff and the ruthless “John Harrison” (I’ll use the alias for the sake of those who haven’t yet seen the new Star Trek) have little in common. Or is it? Mannerisms and motives—and willingness to wipe out human life on a massive scale—aside, they’re both passionate, driven, eccentric loners who are nevertheless deeply committed to the relationships they do have. As is Cumberbatch’s Sherlock.
We may have found a pattern here, after all. It looks as if, deep down, there’s something much more substantial and consistent to Cumberbatch’s persona than an ability to jump down from great heights wearing a long coat.
Also, the fact that he’s stuck with Cabin Pressure throughout its run, even while he was busy shooting to stardom on TV and in film, says something about Cumberbatch’s dedication to his craft. Drama is impressive, but comedy, as Cary Grant firmly believed, really proves an actor’s mettle. Many of the qualities Cumberbatch shows in Star Trek: Into Darkness—the excellent timing, the physicality, the veering between superhuman restraint and uncontrollable emotion—are qualities that may be best developed by sweating to get a laugh out of an audience.
There’s no doubt that if you saw that simultaneously icy and ferocious performance of Cumberbatch’s on the big screen this past weekend, you saw something special. But if you haven’t yet heard him desperately hunting up and down a cabin full of passengers for an elusive lemon, or being tricked into delivering a cabin address in the world’s worst French accent, or saying things like “I carried the sheep for you. I climbed the tree. I rode the back of the truck. But now I have to X-ray these geese” … you’re missing out.
-The Atlantic [x]
I am mainly reblogging this because CABIN PRESSURE. If you have NOT listened to Cabin Pressure, then you really, really should.
I, err, possibly listen to it most days. My commute is about an episode long. I think that the last series that aired was perhaps the best-crafted thing ever. I have a crush on John Finnemore that has gone beyond epic, and into that “writes crap on eyelids, bats eyes at Indiana Jones” stage. It’s just so ridiculously funny and heartwarming and just…
HOW, FINNEMORE??? HOW DO THE WORDS COME FROM YOU LIKE THAT???
Ahem.
Upshot is: Cabin Pressure. If for nothing else, do it for the fantastic Stephanie Cole. The things’s just brilliant.
